This is a refreshing feel to a story with such an important moral message.

It’s safe to say that the soundtrack of the film is suitably mellow and there aren’t any dance numbers within the film which break up the narrative and take away from the subject at hand. Divyendu Sharma as Keshav’s younger brother Naru is also a great supporting actor. Anupam Kher plays Jaya’s uncle and has some of the most important lines in the film, provoking characters into a certain chain of thought. He remains the one niggling person who just doesn’t want to change and this is very representative of many in the Indian society who are somewhat stuck in the traditions of their ancestors not willing to take on a modern and different view. Sudhir Pandey as Keshav’s father (known as Panditji) is brilliant as the strong patriarch who is refusing to budge. The love story element is what brings this together and it’s only because of their chemistry that it’s absolutely believable for the viewers.

Pednekar makes a great leap from her debut in 2015’s ‘Dum Laga Ke Haisha’ but it has to said that it’s nothing expected from her. Kumar and Pednekar are both praiseworthy in their roles of Keshav and Jaya. He also manages to bring out some worthy performances from the main actors. His attention to detail and the way he manages to get such an important message across from different perspectives is commendable. Both the first and second halves of the film are packed with a moving story and the narrative seems to slow down and speed up at various points, creating a world that convinces the audiences well. Singh has indeed given the film a small-town feel but with a big message. Jaya ends up leaving her husband’s home but will Keshav manage to convince his father? This creates a rift between the two, with Kumar attempting to convince his adamant father (Sudhir Pandey) to build a toilet in their premises. However, on the first night of their marriage, Jaya discovers that the house she’s come to doesn’t have a toilet and that she would have to go with the other women in the village to “do the business” in the fields early in the morning. Keshav (Kumar) and Jaya (Pednekar) fall in love after they meet on a train and have an argument about locking the toilet door. Kumar has been known for some performance-driven cinema lately so what should audiences expect from ‘Toilet: Ek Prem Katha’. With Akshay Kumar and Bhumi Pednekar leading the cast, the Shree Narayan Singh directorial was to tell the story of a couple who split due to the husband’s house not having a toilet. Right from the moment the name was announced, ‘Toilet: Ek Prem Katha’ was a film that was going to make headlines.

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